Krimifest (11-12 August 2017, Imatra)

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KRIMIFEST
11–12 August 2017

In the second weekend of August, Krimi will celebrate the houses’ last summer as a festival touchstone with an extravagant garden party. Let’s do it one more time, sisters and brothers!

The festivities officially kick off at 6 p.m. on Friday, August 11, with the opening of a show by painter Santtu Määttänen. The audience will be entertained after the opening by musical mastermind Joose Keskitalo.

On Saturday, partygoers can arrive at Krimi early in the day and spend quality relaxation time with the whole family if they like. The music again blasts off at nightfall, supplied by Joutseno-based power duo Suominen & Härkönen, multimedia Guggenheim Projektz, and Australian-born Kitto, a great singer-songwriter who now hails from Sweden.

In addition to music, on Friday and Saturday, Krimi will have a really special program featuring performances, caricature drawing, and a holographic piece by the Power Builders art group. Partygoers are also free to express themselves and bring games, musical instruments, etc.  The party will be conceived and celebrated together.

A detailed schedule for the weekend will be available shortly, and other changes to the program are also possible. While admission to the event is officially free, we hope that participants support our work by donating money as they see fit.

General Info

The party is organized by the Krimi Art Center in cooperation with the Krimi Houses, located at Koulukatu 1A in Imatra. Except for Friday’s art show opening, the entire program will take place outside. With an eye to the fickle weather, it would be worth your while to bring warm, waterproof clothes just in case. You should also bring something or other for sitting on in the yard. In addition, the sauna will be warmed up on Saturday. Bring your own towel along if you want to have a bath.

There are plenty of shops and other services nearby. The nearest campground is around three hundred meters away, in Varpasaari Fishing Park. People traveling long distances may also ask to stay the night at Krimi.

If you have specific questions, you can contact us by email at taidekeskuskrimi@gmail.com.

Krimi Art Center
Koulukatu 1A
55100 Imatra
www.taidekeskuskrimi.com

Translated by Living in FIN

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The Krimi Art Center, a home and haven for Imatra’s current art students and recent art school grads, celebrates its last summer in existence with a festival on August 11 and 12, 2017.

Why has the city decided to demolish the two modest wooden buildings that make up Krimi?

I’ve already forgotten the “official” reason the houses have to go (the dreaded “toxic fungus” that lumbers round this fair land like the plague during the Middle Ages? austerity for students at the hands of the current bourgeois government?), but I have no doubt they are at odds with the city’s current development plan, which involves

    • demolishing as much built heritage as possible, even officially listed built heritage;
    • holding as many loud, vulgar public mega events as possible, such as the recent “concerts in the park” that ripped up huge swathes of the parkland situated cheek by jowl with the complex housing the city’s library, concert hall, museums, and city hall, while sonically terrorizing the mostly elderly residents of the nearby Mansikkala neighborhood for several nights in a row, and the latest iteration of the Imatra International Road Racing Championship, an event that should have been left buried in the 1960s, when it crashed and burned, but has been unwisely dusted off by the local powers that be and made an annual fixture just as worldwide climate warming kicks into high gear, as if sending huge clouds of smoke into the atmosphere is now cooler than it was back in the swinging sixties;
    • building as many big box stores for the now-mostly nonexistent “flood” of Russian shopping tourists and building most of the stores in the same neighborhood, Mansikkala, thereby making life nearly intolerable for residents of the city’s most populous district, most of whom are old-age pensioners who built the place and, when they were still working, actually made real things in the city’s once-mighty factories;
    • building something useless or expensive or both in the so-called Imatra Free Time Center (Imatran Vaipaa-Aika Keskus), which was once a wooded paradise on earth, featuring a pine tree-shaded swimming beach so pretty and picturesque it made you want to cry. Nowadays, however, the Imatra Free Time Center is chockablock with vacation cottages, a revamped beach in which most of those shade trees have been axed, a biathlon center (soon to be useless in a warmed-up climate hardly capable of producing large quantities of snow), a new Finnish baseball stadium, an indoor sports field, sheltered by an inflatable dome, a new camping ground (moved there to make room for the vacation cottages), and a new fish restaurant, erected right on the shoreline of Lake Saimaa. Hilariously, the fish restaurant was blueprinted and built by the city and its allies in the construction sector even though it had no one lined up to lease and operate it after plans for it were mooted and officially approved and, now, at least a year after it has been built down to the last doorknob, the mythical fish restaurateur is still waiting in the shadows, too bashful to emerge and take over the eatery custom built for him or her. Construction of the fish restaurant (which, were I a bad, lawless person, I would suggest the soon-to-be-homeless art students and young artists from Krimi should squat, because it’s not serving any other purpose at the moment) necessitated the clear-cutting of so many trees and the pouring of so much asphalt that it changed beyond all recognition the particular tract of now-vanished shady forest on the shores of Lake Saimaa where it was plopped down to no apparent purpose. Basically, it turned that part of the Imatra Free Time Area into a “human-friendly” desert of the kind that puts Russian shopping tourists at ease, or so the local Finnish developers imagined. It never occurs to the local Finnish developers and city planners they could be wrong about anything, least of all about Russians, about whom they pretend to know everything, but about whom they know almost nothing, which would be ironic if were not so funny and sad at the same time;
    • attacking and annihilating nearly defenseless cultural and artistic endeavors like the Krimi Houses, the now-defunct Taiderastit one-day art crawls, the International Semiotics Institute and its renowned summer seminars, and other things that had made the town attractive to a different crowd of tourist, as well as to local residents who don’t celebrate soul-, eardrum-, and earth–destroying noise and smoke as “culture.” Needless to say, none of these events cost the city or the federal government much money at all, but they were easy targets for hard-minded city councilors, MPs, and deputy ministers wanting to produce results when it came to the most sacred thing in Finnish governance: “savings” (säästöjä)
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Ukonlinna Beach, Imatra, South Karelia, 31 July 2012. Photo by Living in FIN

This is how the city of Imatra, South Karelia, Finland, imagines and actually implements its own future: by getting rid of lots of things and people that, in real and cultural terms, are defenseless, good value for the money, and anything but in-your-face aggressive and environmentally destructive, whether we are talking about trees and beautiful shorelines or mild-mannered art students running an art gallery in their own digs or foreign semioticians. The city replaces them with what is good in the very short term for the demolition, construction, and lowbrow tourism and shopping sectors.

And you thought Finland was different. How wrong you were. LIF

Finnish Modernism

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A show called Golden Generation: Modernism in Finnish Architecture and Design will soon be opening at the State Hermitage Museum in Petersburg.

This photo, of tiny Linnalankatu in Imatra, South Karelia, will not be featured in the show at the Hermitage. One of the qualities that Finnish modernist architecture has been praised for is its sensitivity to nature and the natural environment in its interactions with the built environment. Many of the masterpieces by, say, Alvar Aalto are praised for just this extreme sensitivity.

Oddly enough, one of Aalto’s great masterpieces, the Church of the Three Crosses, is located in Vuoksenniska, Imatra’s northernmost district. It was built in the 1950s, the same decade that saw Aalto drafting a master development plan for Imatra, which was then only a kauppala (market town), not a full-fledged kaupunkki or city.

Aalto’s plan featured a polycentric conception of the burgeoning market town with ambitions of becoming a city, with Imatrankoski (long a tourist center because of its famous rapids), Mansikkala (then mostly an apple in the eyes of city planners), and Vuoksenniska, all of them at a fair but reasonable distance from each other, each serving as an equal but distinct city center around which smaller residential neighborhoods would grow, with certain functions (such as administration and culture, in Mansikkala) focused in one particular center, while other functions, such as commerce, overlapping in all three centers.

Aalto counted on Imatra growing into a mighty city with a population of one hundred thousand by the 1980s. As it was, during its heyday in the eighties, the town had something like thirty-two thousand residents, while today that number has shrunk to below twenty-eight thousand.

It is hard to know what Aalto would have made of the famous housing estate that dominates Mansikkala, consisting of two types of identical high-rise buildings (there are four of each type), but for this kind of bare-bones modernist housing to work it has to be lushly interlarded with and surrounded by trees, meadows, shrubs, and other kinds of greenery.

When you build an estate like this and you’re not Alvar Aalto you cannot afford the luxury of not knocking down trees during construction, as Aalto famously did when building the Church of the Three Crosses. (Infamously, all those beautiful trees Aalto spared were blown down during a terrible storm a couple of years later.) In any case, old photos I have seen of the area back then show that Mansikkala was mostly fields and farmhouses.

So it has taken around forty years for the estate to become the lush, homey, quiet piece of semi-paradise its builders and first residents (many of them building co-op members, many of them still alive albeit in their late seventies or eighties) hoped it would be when they planted trees, shrubs, and grass around the comfortable but rather stark new residential buildings in Imatra’s new center, Mansikkala.

You are probably wondering right about now where all that lush greenery is in the photograph, above. Well, up until two years ago, the entire foreground and right side of the view you see was occupied precisely by trees, shrubs, and a largish meadow.

But it had to give way to a new big box store, the city’s biggest, in a neighborhood that already featured three large supermarkets and a big discount store. The new city planners and fathers, however, seeing the “neighbors from the east” coming over the border in increasing numbers a few years back, decided to throw caution to wind and let the powerful S Group rip up all that greenery and install a Prisma hypermarket in its place.

The irony was that S Group already had a Prisma store literally right across the street from where the new colossus to shopping-as-our-only-salvation now stands.

To make a long story (whose other parts I will probably tell later) short, the bottom dropped out of the Russian cross-border shopping market, predictably, and now the Prisma hypermarket looks set to destroy its competitors not only in Mansikkala but in the other two central districts of the city as well, because its original purpose, to satisfy ever-increasing numbers of whimsical and wasteful Russians, has disappeared, so it has to have some other purpose, even one it might not have wanted originally. Because what city of twenty-seven thousand people needs the retail capacity of a city of one hundred thousand, as Imatra has now?

Photograph and text by Living in FIN